The iconic photo, which became world famous after its publication in Life magazine, reportedly came out of a workshop titled “The Nude in the Landscape ” involving Adams, Cunningham, Dater and others. ![]() She also appears in what is likely Dater’s best-known work, “Imogen and Twinka at Yosemite,” which depicts an elderly Cunningham encountering a nude model (Twinka Thiebaud) who is leaning against a tree and gazes at her with a look that is both playful and bashful. The latter was a major influence on Dater’s development as a photographer and a close friend. Visit /digital.īay Area resident Jennifer Mackey and her rifle are featured in Judy Dater’s exhibit, “The Gun Next Door.” (Judy Dater/East Bay Photo Collective)įreebie of the week: Judy Dater has been a giant in the world of photography for more than half a century, known for provocative work and involvement in the F/64 Group that also included Ansel Adams and Imogen Cunningham. 27 performance will be livestreamed with viewing accessible for 48 hours, for $27.50. Composer Bates, well-known for his innovations in electronic music, will be in the orchestra pit performing those components of the work. Also reprising her role is mezzo-soprano Sasha Cooke, who introduced the Laurene Powell Jobs character at the world premiere. The title role will be reinterpreted by baritone John Moore, who is making his San Francisco Opera debut but has sung the part in five other cities, including Seattle. The 90-minute, one-act work with the cleverly punned title, sung in English, traces in a series of flashbacks some important episodes of the famed tech giant’s storied career. Hailed at its 2017 world premiere in Santa Fe, it has since been performed in multiple locales before finally making its debut here in the actual environment where the action is set. San Francisco Opera was supposed to roll out the work it co-commissioned with the opera companies of Santa Fe and Seattle and the Jacobs School of Music in Indiana more than three years ago, but the pandemic intervened. ![]() (Courtesy Richard Blinkoff)Ī premiere at last: The long-awaited arrival in San Francisco of Bay Area composer Mason Bates and Pulitzer Prize-winning librettist Mark Campbell’s “The (R)evolution of Steve Jobs” takes place with great fanfare at 7:30 p.m. A couple of fancy dinners follow the program, but reception and concert only tickets, $150-$250, are available at Baritone John Moore reprises the role of tech titan Steve Jobs when San Francisco Opera finally brings its production of the co-commissioned work based on his life to the War Memorial. ![]() ![]() British baritone Simon Keenlyside, making his San Francisco Symphony debut, is the guest artist, singing Gustav Mahler’s “Songs of a Wayfarer.” The program opens with Richard Strauss’ tone poem “Don Juan” and concludes with Maurice Ravel’s famous (or infamous, depending upon your point of view) “Bolero.” In between, there’s Oakland-based rapper, musician and educator Kev Choice, Grammy-winning operatic soprano Hila Plitmann and music improvisation impresario Anthony Veneziale (Two Touch) collaborating with the orchestra on Swedish composer Anders Hillborg’s “Rap Notes,” using AI-generated verse and accompanied by hip lighting and video projections. Friday in Davies Hall with a gala concert that interweaves romantic music and flashy technology, preceded by a 90-minute sparkling wine and savory bites reception in the lobby open to all ticket holders. We highlight some of the offerings here.Ī season kickoff: Esa-Pekka Salonen and the San Francisco Symphony launch their fourth season together at 7 p.m. The Bay Area is a hub of artistic expression, attracting artists, writers and musicians from around the globe to live, work and create.
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